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  • Steven Soderbergh's 2012 Magic Mike was a cocktease. The ads tempted audiences with sweaty chests and thrusting crotches, but after Soderbergh lured us into his all-male strip club, he turned on the lights to show us the squalor. His hunks were drugged and morally decayed. The women—...

  • Five films into the franchise, Terminator: Genisys feels like a VHS cassette that has been rewound and recorded over for 21 years. Director Alan Taylor (of the unmemorable Thor: The Dark World) gives us images—a thumbs-up, an abandoned factory, a liquid-metal cop smashing thro...

  • St. Louis has long called itself the "Gateway to the West," but that town and its surrounding Ozarks might more accurately be the Mustache of the South, a much larger thing's mostly presentable upper tip that nonetheless always has a few crumbs in it. As a nation, we've railed at that mustache a...

  • Even within the strictest formulas of today's superhero-driven Hollywood, the experienced craftsman with a genuine enthusiasm for the form can find precious moments that are able to accommodate his or her personality. One such example is director Boaz Yakin, who, following a pair of personal indi...

  • The death of Amy Winehouse, in July 2011, at age 27, was one of the first great tragedies of 21st-century pop music, an event—as with the deaths of Tupac Shakur and Kurt Cobain in the last decade of the 20th—that emphasized the jarring contrast between the fragility of human lives and...

  • "Ireland is the old sow that eats her farrow," declared Stephen Dedalus in A Portrait of the Artist as a Young Man.

    In the case of Jimmy Gralton, she took bites and spat him out a couple of times. It's tempting to say some people never learn, but, as played by Irish actor Barry War...